Foscarini at Euroluce 2025: new horizons of light between experimentation, emotion, and design
At Euroluce 2025, Foscarini returns to explore light as an emotional, symbolic, and sensory experience.
At the heart of the brand's collection is a contemporary reimagining of a timeless archetype: the chandelier. Reinvented through bold, distinctive design visions, this classic form takes on new life. Innovation emerges not only through unexpected shapes, but also through experimental materials—like recycled lava stone or glass-bead embroideries that engage in poetic dialogue with light. The result is a series of creations that transcend mere function, becoming suspended narratives where technique meets poetry.
With Allumette, Francesca Lanzavecchia creates a chandelier that challenges aesthetic norms.
Asymmetrical and sculptural, it’s a luminous choreography that transforms spatial perception. Drawing inspiration from the archetypal candle, the lamp is constructed from tensioned arms that evoke floating flames, each emerging from transparent methacrylate tubes.
Light travels invisibly along integrated LEDs until it softly reveals itself on the opaline tips of the arms. Balancing the rigidity of metal with the softness of textile cables, Allumette invites an empathetic, ever-changing interpretation—like a living object that shifts with every glance.
Asteria, designed by Alberto and Francesco Meda, offers a rigorous yet dynamic reinterpretation of the modern chandelier. Its design is stripped to the essentials, born from a dialogue between materials and LED technology. Curved extruded aluminum arms hold thin, floating lines of light, which radiate outward while a central downward beam ensures functional illumination. Modular and refined, Asteria is available in multiple sizes and configurations, transforming light into structure and structure into visual poetry.
More than a lamp, Tilia by Francesca Lanzavecchia is a luminous organism that seems to grow spontaneously into space. Inspired by botany, leaf veins, and river deltas, Tilia translates natural logic into an asymmetrical, flowing system of modular arms ending in opaline borosilicate glass diffusers. These elements emit a warm, enveloping glow—like a suspended cloud. The structural joints become jewel-like details: tiny metal spheres that resemble buds or gems. With its imperfect beauty and sense of lightness, Tilia inhabits space like a luminous sculpture.
Etoile, designed by Dordoni Studio, is a study in elegance, restraint, and lightness. Reinterpreting the classic Venetian chandelier through a process of refined subtraction, Etoile hides its Pyrex core to spotlight etched blown glass diffusers, arranged on staggered levels or in radiant symmetry. Cylindrical elements glow from within, thanks to silver bulbs that reflect light onto the glass, creating a soft, immersive atmosphere. Balancing solids and voids, tradition and modernity, Etoile floats through space with quiet confidence and grace.
Torche, originally conceived by Rodolfo Dordoni and completed by Dordoni Studio, is a wall sconce that blends function with refined simplicity. Its conical form subtly detaches from the wall, casting a strong upward beam and a softer glow below—like a discreet step marker. A silky satin finish lends softness to the metal’s solidity, while the compact, minimal design harmonizes with architecture without dominating it. Torche is a measured gesture of light, gracefully integrating into a wide range of interiors.
Eolie is a trio of small suspension lamps—Alicudi, Filicudi, and Panarea—crafted from recycled lava stone. Alberto and Francesco Meda transform this raw, porous, cratered material into lighting objects that fuse primal strength with formal precision. Each piece is handcrafted, unique in texture and imperfections. The silhouettes are essential, inspired by the islands themselves and the geological processes that formed them. Light is directed downward in a concentrated beam, offering both a tribute to volcanic landscapes and a meditation on sustainability, where industry and craftsmanship converge.
Aplomb Mini offers a new take on Lucidi Pevere’s iconic concrete lamp, now in a compact wall-mounted version. It retains the expressive impact of its original material while adapting to both indoor and outdoor use with a focused, downward beam. The concrete, shaped with artisanal care, becomes a smooth, almost velvety surface. Fifteen years after its debut, Aplomb continues to captivate with its subtle balance of weight and lightness, strength and softness—a contemporary classic that evolves without losing its essence.
With Habitus, Andrea Anastasio weaves together the languages of light and textile art. Developed in collaboration with the Amal atelier, these wall and floor lamps are lined with dense, multicolored glass bead embroidery that recalls the luxurious intricacy of haute couture. The aluminum frame serves as a stage for this painstaking handcraft, turning light into a lens that magnifies the slow, meditative rhythm of embroidery. Habitus is a contemplative object—part artwork, part design, part craft—that invites awe and introspection.
Fields returns in a redesigned version tailored to LED technology, reimagining light as geometric landscape. Originally created by Garcia Cumini in 2007, Fields retains its bold graphic presence but now features slimmer proportions, new finishes, and curved panels that enhance light diffusion. Inspired by the aerial view of La Mancha’s cultivated fields, this wall lamp can be installed horizontally or vertically, becoming an architectural and theatrical element. Its diffuse, embracing light offers both technical performance and visual elegance.
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