Memory and vision: Tacchini's new collection is an experience to live in
On the occasion of Milan Design Week 2025, Tacchini unveils its new showroom at Largo Treves 5, set within a charming early 20th-century Milanese apartment. An intimate and timeless space, the showroom reflects Tacchini’s vision of living: a cultured aesthetic, far from fleeting trends, that honors the authentic essence of the home.
Each room becomes a stage for a narrative woven from material, form, and memory—perfectly aligned with the brand’s refined and sensitive identity. In this new domestic setting, Tacchini presents the latest additions to its collection: original designs and reissues of iconic pieces.
Bread & Butter, the new collection by Faye Toogood, is a poetic and visceral project inspired by one of the most ritualistic and humble daily gestures—kneading bread.
“Every morning, I knead, let rise, and bake a loaf of bread. It is my meditation, my present moment,” says the designer.
From this slow, repetitive, and tangible act comes a collection that transforms material into memory, and comfort into a visionary language.
At the heart of the collection is the Butter Sofa, a modular system with soft, generous volumes—like dough to be shaped and molded for total comfort. Its enveloping curves and modular freedom invite relaxed, personal expression. Complementing it are the Bread Side Table, available in high and low versions, and the Bread Console, crafted in stained ash with maple inlays. Each piece reinterprets the archetypal solidity of sliced, stacked, layered bread.
The collection is a clear expression of Toogood’s design language: tactile, emotional, and radically contemporary. These are not objects created for effect, but pieces that express the intimacy of daily life through an authentic and sensitive gesture—where every curve, every surface, every grain evokes the warmth of the human touch.
Staying true to a vision of the home as an intimate and authentic refuge—where comfort becomes a personal and boundless experience—Tacchini also presents new reissues of iconic designs from its archive.
Three years after its reissue, the Le Mura sofa by Mario Bellini is now joined by a new XL version, a natural evolution of the original 1972 modular system. This new edition makes an even bolder statement in compositional freedom and radical spirit.
Le Mura XL features a deeper seat and soft, movable cushions that encourage a more informal and convivial use of the sofa. The design becomes a domestic island, ideal for moments of shared relaxation—always distinguished by Tacchini’s signature material sophistication.
New modules—including corner and chaise longue elements—further expand the system’s versatility, allowing for an almost infinite range of configurations.
Part of the Roma family—a sofa collection designed by Jonas Wagell and inspired by the soft, welcoming curve of a hemicycle—the new Roma Nuvola linear version offers a more versatile take on the classic design. Two years after the launch of the chaise longue model, the collection expands with a more compact piece, created to meet the demands of contemporary living while preserving the series’ signature comfort.
Extending the Tacchini living universe, two coffee tables—different in origin but kindred in spirit—offer complementary interpretations of contemporary living.
On one hand, Tako by Cini Boeri, reissued in its original essence, exemplifies ethical and functional design. Originally created in the 1970s to promote freedom of use and daily autonomy, Tako features a low, expansive top supported by chrome-plated steel legs. Quietly present, it invites informal gathering and relaxed conviviality, drawing inspiration from Asian traditions and adapting seamlessly to the rhythms of home life.
Now reissued by Tacchini in two versions—the original white lacquered wood top and a new ceppo cremo marble variant, a material emblematic of Milanese architecture—Tako continues to express Cini Boeri’s enduring design ethos and her vision of a home shaped by discreet, meaningful presence.
On the other hand, the new Gian & Pan tables by Studiopepe embrace a more expressive and sculptural language. Influenced by Lina Bo Bardi’s rationalist architecture, these coffee tables play with bold material contrasts and vibrant hues. Polished concrete legs, offered in three colorways, are paired with irregular marble tops in three variations, resulting in dynamic, visually striking compositions.
Born from a longstanding collaboration with Roberto Sironi, Torso reflects a design philosophy grounded in material and formal experimentation, resulting in furniture sculptures that are both functional and deeply evocative. Crafted from polished cast aluminum, the side table originates from a clay model hand-molded by Sironi himself. Its mirrored surface captures and diffuses light, creating the illusion of a suspended, almost weightless object.
Produced in a limited edition of 100 pieces, Torso enriches Tacchini’s narrative with a design that carries a bold and unmistakable artistic identity.
With Torii, a new dining table by Studiopepe, Tacchini extends the visual poetics explored with the original console of the same name. Inspired by the architectural symbolism of Japanese torii gates, the table becomes a ritual threshold—transforming the dining room into a space imbued with meaning, where form, function, and cultural memory converge in a solemn, essential gesture.
Like the Torii Love console—now available in new chocolate and powdery shades—the table evokes a totemic elegance. Its pared-down geometry resonates with cultural depth and sensory nuance, fusing simplicity with sculptural strength.
Tacchini expands its collection with two exceptional new chairs, each representing a distinct design trajectory: one expresses the contemporary refinement of Michael Anastassiades, the other marks the cultured and textural reissue of a historic masterpiece by Afra and Tobia Scarpa.
Klotski, designed by Anastassiades, distills simplicity into a form of pure elegance. Its name—drawn from a sliding puzzle made of interlocking wooden blocks—reflects the chair’s compositional logic: a sophisticated interplay of joints and geometries. The backrest, subtly inclined and seemingly suspended from the ends of the armrests, appears to float above the slender wooden frame, which encloses an upholstered seat that balances visual restraint with comfort.
Africa, designed by Afra and Tobia Scarpa, is a functional sculpture—a seamless blend of craftsmanship and architectural thought. Made from solid Canaletto walnut with a leather or fabric seat, it features a sculptural backrest composed of two symmetrical parts. Through refined roughing and sanding, the surface reveals layers of texture and color. The central slit between the back and rear legs adds elasticity and comfort, while also giving the chair a striking, evocative presence.
Completing Tacchini’s 2025 collection is a series of objects and accessories that heighten the sensory dimension of interiors, transforming surfaces, reflections, and light into tools for storytelling—a kaleidoscope of perception and memory.
This poetic vision comes to life in the brand’s first collaboration with Objects of Common Interest, the studio founded by Eleni Petaloti and Leonidas Trampoukis. The collaboration introduces the Tact & Trace mirrors and Refract vases. The mirrors reinterpret the nostalgic image of family crystalware through a contemporary lens, while the vases—crafted using repurposed resin from the mirrors—explore new volumes, scales, and colors, marrying formal poetry with sustainable design.
Made of colored, semi-transparent resin, these pieces draw inspiration from the fleeting nature of memory and the play of optical illusions. Thanks to prismatic cuts and vibrant reflections, they establish a dynamic relationship between light, form, and surface.
Completing this narrative is Andrea, a sculptural and functional wall lamp that marks Tacchini’s continued exploration of lighting. Drawing from Donald Judd’s structural vocabulary and the dreamlike imagery of space travel, Andrea is a retro-futurist portal in steel with a silver PVD finish. Its reflective, architectural form emits an ethereal, immersive glow, transforming its surroundings into a luminous, atmospheric landscape.
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